Choose a direct box by the source connector, mono or stereo format, channel count, and the balanced XLR input it needs to reach. Compare the passive, active, 3.5 mm, and multimedia options in the current product list.
Showing 1–4 of 4 dibox catalog options
Rentals from $9.00 / 24 hoursIdeal for band equipment, the 3.5mm Passive DI Box connects consumer-grade devices like laptops and mobile devices to professional A/V gear. Compact and sturdy, it offers single XLR output for quick setup....
Built rugged on the inside and outside, this is the world famous DI found in pro systems everywhere. The IMP 2 converts a line or instrument level unbalanced signal to a low...
The ART Dual Active Direct Box converts a line or instrument level unbalanced signal to a low mic level balanced signal.
This passive direct box requires no batteries and can convert stereo and mono 1/4", stereo RCA, and stereo 3.5mm TRS mini jack inputs to dual balanced
Build beyond sound with equipment and production services coordinated by the same local team.
The 3.5 mm passive DI product is documented for connecting laptops and mobile devices to professional A/V equipment through an XLR output. The catalog also includes a multimedia passive stereo direct box that accepts quarter-inch, RCA, and 3.5 mm inputs and provides dual balanced XLR outputs.
Those products are not interchangeable simply because both mention 3.5 mm. Identify the exact source connector and whether the program must remain stereo before choosing a single-output or dual-output path.
Record whether the source is an instrument, laptop, mobile device, or another line-level component.
Confirm whether the source uses 3.5 mm, RCA, quarter-inch, or the connector documented on another product.
Decide whether one mono XLR output is sufficient or whether the workflow needs dual balanced outputs for stereo.
The listed IMP 2 is a one-channel passive DI box, while the ART product is a dual active direct box. Both product records describe converting an unbalanced instrument or line signal to a lower-level balanced signal for a microphone input, but their channel count and operating type differ.
Count the sources that need conversion and confirm the destination inputs with the person planning the audio system. Do not choose solely from the words active or passive; the source, number of channels, connectors, and complete signal path all matter.
A single source and a two-channel source plan can require different DI configurations.
Identify the balanced XLR microphone inputs that will receive the converted signal.
Use the documented product type together with the source and system plan instead of treating it as a standalone quality ranking.
Practical answers about source connectors, mono and stereo paths, passive and active choices, pickup, and system-planning boundaries.
The listed instrument and line DI products are described as converting an unbalanced source signal to a lower-level balanced signal for a microphone input. The exact inputs, outputs, and channel count depend on the selected product.
The current page includes both passive and active choices. Base the selection on the source, connector, number of channels, destination input, and complete system plan rather than assuming one type fits every source.
The current catalog includes a 3.5 mm passive DI documented for laptops and mobile devices, plus a multimedia passive stereo direct box with 3.5 mm, RCA, and quarter-inch input options. Confirm the device output and required XLR format before choosing.
The multimedia passive stereo direct box is documented with dual balanced XLR outputs for compatible stereo or mono sources. Review its live product card and the receiving mixer inputs before reserving it.
All four current assigned product records are marked for pickup. Confirm the item, dates, and applicable fulfillment option in the live rental flow.
The four current DI box records are not marked as requiring a technician. A larger audio system may still need a qualified person to verify routing, gain structure, and operation.
Every month, we service more than 150 conferences and events, from small local meetings to large international ones.
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It’s a pleasure to work with Mario and his team, they are quick, efficient, and professional. Have done a few events already and looking forward to many more
We used Miami Sound Rental for a conference we were sponsoring. They were the perfect choice for the role. Easy to work with and arrived on time. Quick and efficient. We had to change a few things the week before the event and they were able to accommodate our changes with no issue.
Delivered on time and showed us exactly how to use the equipment and picked it up the next morning! Was perfect for my birthday party and would definitely use them again!
